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English Mature Pictures

Touchstone Pictures was an American film production label of Walt Disney Studios, founded and owned by The Walt Disney Company. Feature films released under the Touchstone label were produced and financed by Walt Disney Studios, and featured more mature themes targeted towards adult audiences than typical Walt Disney Pictures films.[4][5] As such, Touchstone was merely a brand of the studio and did not exist as a distinct business operation.[1]

english mature pictures


In late 1982, Disney vice president of production Tom Wilhite announced that they would produce and release more mature films under a new brand. Wilhite elaborated to The New York Times: "We won't get into horror or exploitive sex, but using a non-Disney name will allow us wider latitude in the maturity of the subject matter and the edge we can add to the humor." He stated that one of the first films that would be released under this new brand was Trenchcoat, a comedy caper starring Margot Kidder and Robert Hays;[10] however, the new brand had not yet been created by the time of the film's release in March 1983, so it was instead released by Walt Disney Productions, but with no production company credited in the released prints.

Through Touchstone, Disney's first R-rated film, Down and Out in Beverly Hills, came on January 31, 1986, and was a large box-office success. Ruthless People followed on June 27, 1986, and was also very successful. Both of these pictures starred Bette Midler, who had signed a six-picture deal with Disney and became a major film star again with these hits as well as Beaches and Outrageous Fortune.

In 1980, he said he was "pretty proud of about 50% of my motion pictures. Demetrius and the Gladiators wasn't bad. The Robe and Samson and Delilah weren't bad. I made 72 of them and I made close to $18 million. So what the hell."[79] He said in the same interview his favorite actors were Al Pacino, Dustin Hoffman, and especially Burt Reynolds.[79]

* one year plus: Your Springer pup can begin to jog with you, but keep the distance to less than a mile and give him frequent breaks along the way. As he continues to mature, you can increase the distance and time you run. These graduated levels of exercise will protect his developing bones and joints.

Springers usually do well with children if they are brought up with them from puppyhood. Older Springers who are unfamiliar with children may do best in a home with children who are mature enough to interact with them appropriately.

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In the second study, Pictures and words, the symbol theoretical approach is made more explicit. The subject Is the distinction between pictorial (non-linguistic, non-propositional, analogical, "direct") representation and verbal (linguistic, propositional) representation, and the further implications of this distinction. The study focuses on pictorial representation, which has received little attention compared to verbal representation. Observations, ideas, and theories in AI, cognitive psychology, and philosophy are critically examined. The general conclusion is that there is as yet no cogent and mature theory of pictorial representation that gives good support to computer applications. The philosophical symbol theory of Nelson Goodman is found to be the most thoroughly developed and most congenial with the aims and methods of AI. Goodman's theory of pictorial representation, however, in effect excludes computers from the use of pictures. In the final chapter, an attempt is made to develop Goodman's analysis of pictures further turning it into a theory useful to AI. The theory outlined builds on Goodman's concept of exemplification. The key idea is that a picture is a model of a description that has the depicted object as its standard model. One consequence Is that pictorial and verbal forms of representation are seen less as competing alternatives than as complementary forms of representation mutually supporting and depending on each other.

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